Work Process
Film Shoots
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Each project begins with a strong visual concept, which we discuss together using mood boards and sample material. Based on this, we tailor the camera work, from well-lit interviews to atmospheric shots that can be seamlessly integrated with the interview material during editing. We use various techniques, such as tripods, handheld, shoulder-mounted cameras, gimbals, and sliders, depending on the project's needs.
The main camera is a Canon C70, a 4K cinema camera in a modular V-Mount rig. This camera can be easily adapted for various applications, from a larger V-Mount production rig to a compact gimbal rig. Additionally, drone shots are possible; I have a Mavic 3 Pro drone and an A1/A3 flying license. Flying at certain locations is subject to restrictions; more information can be found at godrone.nl. (This information applies to the Netherlands).
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For a successful corporate or organisational video, a well-crafted script is essential. What do you want to convey, who will be speaking, and how will we structure the interviews? What film style will we use? For example, a documentary style where only the interviewee appears on-screen, and the gaze is directed towards the interviewer. In this approach, the question is incorporated into the answer, and we will take charge of directing it accordingly.
We carefully consider the location for the interviews. It should not only be relevant to the project but also visually appealing and suitable for audio recording. Optionally, we can work with a director to guide the interviews.
For audio, we use both transmitters and directional microphones to ensure extra safety and flexibility during editing.
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Camera’s:
Canon C70 | 4K Cinema Camera
DJI Mavic 3 PRO | 5.1K Drone Camera
Fujifilm GFX 50s II | 50MP Medium Format CameraPrime Lenses Canon EF/RF:
Sigma Art 28mm f1.4
Sigma Art 40mm f1.4
Sigma Art 85mm f1.4
Canon RF 35mm 1.8 IS
Canon RF 50mm
Canon EF 135 f2 L
Canon 0.71x EF/RF speedbooster (C70)Prime Lenses Fujifilm GF
Fujifilm GF 50mm f3.5
Fujifilm GF 80mm f1.7Lighting:
Nanlite 300B II | Bi-Color LED Light
Nanlite 60B II | Bi-Color LED Light x2
Nanlite Parabolic Softbox 90
Nanlite Parabolic Softbox 60 x2
Fresnel lens + Barndoors
Westcott LED Light + Softbox
Reflector screensGrip:
Kupo CT-40MK Master 40" C Stand Kit
DJI RS 3 Pro Gimbal
Sachtler ACE XL Fluid Head +
Carbon Tripod
RRS BH-55 Pro Ballhead
Gitzo GT 3542 LS Tripod
Ifootage C180 II MonopodVideo Rig:
Smallrig Cage + V-Mount
Focas shoulder rig
Atomos video monitor
Tilta follow focus
Smallrig Mini Pro Matte Box
Black Pro Mist FiltersAudio Recording:
2X Sennheiser AVX MKE2 Wireless lavelier microphone systems
Rode NTG 5 shotgun mic
Audio Technica BP4025 stereo mic
Zoom F3 recorder
Rycote Blimp + Windjammer
Rode mic boompole
Sennheiser HD 650 + HD 25 headphonesAdditional materials will be rented where needed.
Editing & Colour Grading
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After the film shoots, we begin with the editing process. We first determine the desired duration and format of the video and work with the film script in mind to build the structure. We usually start by editing the interviews, focusing on the core message of the film and presenting it clearly within the agreed timeframe.
Once the audio and interview sections are complete, we proceed with adding atmospheric shots, graphic elements, and logos. Finally, we finish the film with colour grading.
If desired, we can also provide short versions or teasers of the video in various formats, suitable for use on social media channels and other platforms.
Additionally, the videos can be provided with subtitles in the spoken language or, if preferred, in another chosen language with the help of a translator.
For editing, we use DaVinci Resolve Studio 19, a program renowned for its excellent colour correction capabilities. If required, we can also edit using Adobe Premiere or Final Cut Pro.
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Computers
Apple Studio M2 Max
Macbook ProSoftware
Davinci Resolve Studio 19 + Davinci Speed Editor
Izotope RX audio restoration
Adobe Photoshop + LightroomAudio Monitoring
Apogee Duet Audio Interface
Genelec 8030C monitors
Sennheiser HD 650 + HD 25 headphonesStorage / Backup:
4 TB SSD mobile drives
12 TB backup drives
Film Music
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In addition to my work in film and photography, I am also active as a music producer, focusing on composing film music. I work both on commission and on personal projects from my project studio.
In video productions, stock music is often used. This offers many possibilities and is usually a practical choice, but the downside is that you might not be the only one using the chosen music in your video.
I offer the possibility to create unique film music specifically composed for your video. To fully realise my music production style, a certain degree of freedom and collaboration in the creative process is preferred.
Some examples of music in the context of film productions include: Streetview | De Adem van Amsterdam
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Studio Hardware
Apple M2 Studio Max
Apogee Duet Interface
SSL SIX Mixing Desk
Eventide H90 Effects
Api Tranzformer Bass Pre-Amp
Strymon Compressor + Amp Sim
Genelec 8030 Monitor set
Sennheiser HD 650 Headphones
Ableton Push 3
Novation SL2 MKIIISoftware - DAW
Ableton Live 12
Logic ProInstruments:
Sequential OB6
Moog Minitaur
Gibson Les Paul Tribute Bass
Fender Am Pro II JazzmasterSoftware - VST
Extensive and carefully curated set of film music tools from:
Spitfire Audio
Sonic Couture
Fracture Sounds
Crow Hill Company
Native Instruments
Felt Instruments
Izotope Mix + Mastering Tools
Lexicon PCM Native Reverb Suite